Peter Arne
7 Films
Peter Arne
7 Included Films
Born in Kuala Lumpur, British Malaya, to a Swiss-French mother and an American father, Peter Arne was an actor and an antique dealer who was murdered in 1983. In the late 1940s, Arne and his partner Jack Corke befriended acclaimed novelist Mary Renault and her partner, Julie Mullard, on the SS Cairo, a steamer bound from Britain to South Africa and convinced them to go into business building homes for immigrants to the country. Renault financed using her £25,000 MGM award, employing labourers and craftsmen to begin construction of several houses, but Arne and Corke squandered the money, racking up debts before stealing Renault's car and returning to the UK to avoid charges of embezzlement. On 1st August 1983, Arne attended a costume fitting for a role in Doctor Who. On his return home, neighbours reported sounds of an argument to the police who subsequently found Arne's body inside his Knightsbridge flat. He had been bludgeoned to death with a stool and log from his fireplace. The prime suspect in Arne's murder was Giuseppe Perusi, a schoolteacher from Italy who had been living rough in a local park, and for whom Arne had been providing food. Four days later, a body matching Perusi's description was found in the River Thames at Wandsworth, having drowned in an apparent suicide. At the subsequent inquest in October 1983, Police concluded that Perusi had beaten the actor to death then killed himself.
Director: Ken Hughes
MGM Blu-ray's stereo track.
MGM's 7.1 track is a remix with a few flaws and much worse fidelity. Capelight's stereo and 7.1 track are both from the remix.
The movie was originally premiered as a roadshow release, with a a 70mm 6-Track Stereo mix. This mix, unfortunately has not been released on home video.
The closest thing to that mix, is the stereo track included on the 2010 Blu-ray. It sounds great, with high fidelity and little filtering. It's lossy, but that doesn't matter very much.
Both the DVD 5.1 and the Blu-ray 7.1 tracks (identical on both discs) are a new remix, rather than a repackaging of the original mix. The 7.1 track sounds quite muffled, though not evenly so. The Capelight Blu-ray's lossless stereo track uses the same remix, but with higher fidelity than the surround tracks, sounding significantly less muffled. Compared to the original, this remix sounds wider and more "cleaned up". The remix contains a handful of errors, for example the intermission cue fades out, rather than ending correctly.
Comparison samples
Director: Ken Hughes
MGM Blu-ray's stereo track.
MGM's 7.1 track is a remix with a few flaws and much worse fidelity. Capelight's stereo and 7.1 track are both from the remix.
The movie was originally premiered as a roadshow release, with a a 70mm 6-Track Stereo mix. This mix, unfortunately has not been released on home video.
The closest thing to that mix, is the stereo track included on the 2010 Blu-ray. It sounds great, with high fidelity and little filtering. It's lossy, but that doesn't matter very much.
Both the DVD 5.1 and the Blu-ray 7.1 tracks (identical on both discs) are a new remix, rather than a repackaging of the original mix. The 7.1 track sounds quite muffled, though not evenly so. The Capelight Blu-ray's lossless stereo track uses the same remix, but with higher fidelity than the surround tracks, sounding significantly less muffled. Compared to the original, this remix sounds wider and more "cleaned up". The remix contains a handful of errors, for example the intermission cue fades out, rather than ending correctly.
Comparison samples
Live Home Video 1996 remastered letterbox LaserDisc
The remastered LaserDisc PCM mono sounds the most untouched and natural of any version. In 2006, Universal made a new HD master used on all subsequent DVD and Blu-ray releases. The Universal 2.0 mono mix may be a new transfer, different source or remix made from stems as the music and effects are at different levels throughout the track when compared to older copies featuring the mono mix. Additionally there is extreme noise reduction with dialogue sounding too clean and hiss being almost gone. Comparing with the 1996 LaserDisc mono clearly shows in all of these moments that the original mono was mixed differently and to serve the jokes.
Live Home Video 1996 remastered letterbox LaserDisc
The remastered LaserDisc PCM mono sounds the most untouched and natural of any version. In 2006, Universal made a new HD master used on all subsequent DVD and Blu-ray releases. The Universal 2.0 mono mix may be a new transfer, different source or remix made from stems as the music and effects are at different levels throughout the track when compared to older copies featuring the mono mix. Additionally there is extreme noise reduction with dialogue sounding too clean and hiss being almost gone. Comparing with the 1996 LaserDisc mono clearly shows in all of these moments that the original mono was mixed differently and to serve the jokes.
Director: Alain Resnais
No Blu-ray, potential resto
No Blu-ray, potential resto https://www.filmlinc.org/daily/nyff-51-providence-found-alain-resnais-70s-film-undergoes-a-renaissance/
Director: Alain Resnais
No Blu-ray, potential resto
No Blu-ray, potential resto https://www.filmlinc.org/daily/nyff-51-providence-found-alain-resnais-70s-film-undergoes-a-renaissance/
Shout! Factory uses MGM's HD master and mono mix which sounds similar to their 2004 DVD mono. They sound nearly identical aside from volume differences-except that the sound effects seem a bit flattened again on the DVD and this Blu-ray mono mastering seems to be EQ'd a bit differently.
Shout! Factory uses MGM's HD master and mono mix which sounds similar to their 2004 DVD mono. They sound nearly identical aside from volume differences-except that the sound effects seem a bit flattened again on the DVD and this Blu-ray mono mastering seems to be EQ'd a bit differently.
Director: Blake Edwards
Director: Blake Edwards
7 films